Nag Tüchir.
this rain doesn’t belong here. still, it will not leave. the volume settings folder.
winter has not yet passed. not here in Venice. the volume settings folder.
winter has not yet passed. not here in Venice. the volume settings folder.
Phase IV, D3.
think deeply - focus one’s mind for a period of time, in silence or with the aid of chanting, for - spiritual purposes or as a method of relaxation. the volume settings folder.
Readers Selection: Cyber Surfer - Edition Four | Fluid Radio
“Leaving Winter” among this Fluid Radio reader (Cyber Surfer) selection. many thanks to @Gacougnol for the great support. tvsf.
A Path Left, A Step Right, by The Volume Settings Folder
Static Reason Recordings has recently implemented a Bandcamp website. There you can stream my first album “A Path Left, A Step Right” too. Here are few copies of the extended version. tvsf.
Kroesta, from “Leaving Winter”.
let’s face this spring coming. the volume settings folder.
Phase III, D3.
such - considered as a social class or political force. proceed with trouble or difficulty. the volume settings folder.
“Talk about ambition. Leaving Winter is not the first self-released, handmade full-length album by budding ambient project The Volume Settings Folder to get a physical release, but it does have the loosest concept: the death of Winter to birth Spring. Short in length for an ambient release at only 39 minutes, but the lack of content leaves no room for indulgences. Each track has one thing in common with the rest, the sound of water flowing and dripping. Whether it’s in the foreground on the stark, unsettling Vesta—the dripping augmenting the dissonant soundscapes—or conveyed in metaphor on the squealing of acoustic guitar on Tschano, the giving way of snow to open up the grass pervades the entirety of the record. That is not to say that Leaving Winter is warm throughout. The opener, Neswo and its comparatively short closer in Tschano both work as sleek, dissonant bookends in entirely different formats. The centerpiece of the album is the incredibly short Kroesta, where loud drones perforate most of the duration. An incredibly distorted and twisted acoustic guitar jangles on for half of the song, eventually fading into muffled obscurity to open up the absolutely vibrant Brahma, its own ten minutes all cherished, backed in sound and soundscape. Leaving Winter is ambient music that belongs as a focal point, rather than being played as background noise.”
Many thanks to “The Melodic Dilemma” for this great review. tvsf.
Neswo.
this is the time when people are not the same. what is the difference?
“Neswo”, from the album Leaving Winter. out April 4th 2013 as digital download and handmade CDr, in a limited edition of 50 copies. the volume settings folder.
Music and cut by M. Beckmann. Footage: “Xerox, what’s the difference” 1965, Xerox; source Archive.org
Neswo.
this is the time when people are not the same. what is the difference?
“Neswo”, from the album Leaving Winter. out April 4th 2013 as digital download and handmade CDr, in a limited edition of 50 copies. the volume settings folder.
Music and cut by M. Beckmann. Footage: “Xerox, what’s the difference” 1965, Xerox; source Archive.org
![120-mm:
portal by [Photom] on Flickr.](http://24.media.tumblr.com/9a705b08e43a092ee67f4971d8697032/tumblr_ml430oPsDN1rpty5go1_250.jpg)
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